

One interesting feature of these trees was the cables that ran up their substantial trunks and forked at the trees’ huge scaffolding branches. At first glance I reckoned they were electrical wires for flood lights, but upon a closer examination I realized they were ground wires for lightening rods. My gaze at that point left the canopy of towering trees, and perused the thickening sky.
Washington’s west parlor is painted a silky Prussian blue, and is more gentle on the senses; the house's formal dinning room was tad more prim, but not completely out of the woods, for it too has a wild element.
From the floor and two thirds of the way up, this room was painted a green bean green, while the few remaining feet that curved inward toward the white ceiling, is painted a damned-if-I-know-green.
The view from George and Martha’s expansive front porch (the winding driveway leads you up to the rear entrance of the mansion) is striking. The Potomac River curves gently beneath your view, and is squeezed in by a heavy forest of mixed woods. Although I would have liked to have seen more of the estate, the impressive view on this mid-spring day was matched by the heat, and humidity. The humidity was such that it made song birds peep, and one’s interest wane.

I asked our guide if what she called a cupola was not in fact a belvedere, and she emphatically stated that it was a cupola. Methinks it is a belvedere.


SLEEPING QUARTERS







GHOSTLY IMAGES


His greenhouse held a number of tropical plants that needed to be kept warm throughout the winter months. A fire tender kept a sub-floor fireplace stoked, and its exhaust traveled through a series of brick lined heating ducts.
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